How to become a professional screenwriter in the UK – The Abridged Version (which also contains the meaning of life as a special bonus) July 31, 2008
Posted by James D Hartland in Career, Funding, NFM, Northern Film and Media, Screen Agencies, Screen Agency, Training.add a comment
The other day I got an email from someone…
James,
Sounds like you are doing really well in screenwriting circles and was hoping for some advice.
I’ve currently got a short film being made by a small production company within the next few months. Also another script then want to do soon after and another that I just need to get financed for next year.
I still have a full-time job in sales and want to dedicate my life to something I love as finding as it’s difficult managing the time to write. I’m sure you understand how frustrating it is. Any ideas?
I look forward to hearing from you. Thank you very much.
The one piece of advice I always give to everyone is to get in bed with your local Screen Agency.
These guys are the gatekeepers to all the funding and training opportunities in the UK industry, and since they are also the gatekeepers for all the directors and production companies as well, it means they can help you foster relationships with other important industry professionals. Developing a good relationship with your Screen Agency is crucial to becoming a writer, or least it was for me since literally every bit of training and work experience I have gotten in the industry be it as a runner or as a writer has come either directly or indirectly from my local Screen Agency.
It’s that simple.
Write as often as you can, write as good as you can, but make sure your screen agency knows who you are, and make sure you know all the schemes your screen agency has to offer you.
There’s no secret formulas to it. Just write good stuff and use the resources at the screen agencies to get ahead. This is all I have done.
Use these contact details below to get in touch with them ASAP if you haven’t already.
As for finding the time, you’ve just got to make the time, even if that means changing your lifestyle and making sacrifices. If that means changing to a part time job, selling your car and giving up all your nights out for a year or two is that not a small price to pay for working at your dream job?
Too many people worry about shit that frankly shouldn’t matter. Just seize the day! Be bold. It doesn’t matter if you fail. What sucks is becoming a slave to the wage.
If you have any doubts about the meaning of life watch this.
East of England
Screen East
2 Millennium Plain
Norwich
NR1 3JG
Tel: 01603 776 920
Fax: 01603 767191
Website:Screen East
email:info@screeneast.co.uk
East Midlands
EM Media
35-37 St Mary’s Gate
Nottingham
NG1 1PU
Tel: 0115 934 9090
Fax: 0115 950 0988
Website: EM Media
email:info@em-media.org.uk
London
Film London
Suite 6.10, The Tea Building
56 Shoreditch High Street
London
E1 6JJ
Tel: 020 7613 7676
Fax 020 7613 7677
Website:Film London
email:info@filmlondon.org.uk
North East
Northern Film and Media
Central Square
Forth Street
Newcastle-upon-Tyne
NE1 3PJ
Tel: 0191 269 9200
Fax: 0191 269 9213
Website:Northern Film & Media
email: info@northernmedia.org
North West
North West Vision & Media
C/O BBC
Oxford Road
Manchester
M60 1SJ
Tel: 0870 609 4481
Fax: 0161 244 3755
Website:North West Vision
email:info@northwestvision.co.uk
South East
Screen South
The Wedge
75 – 81 Tontine Street
Folkestone
Kent
CT20 1JR
Tel: 01303 259 777
Fax: 01303 259 786
email: info@screensouth.co.uk
Website:Screen South
South West
South West Screen
St Bartholomews Court
Lewins Mead
Bristol
BS1 5BT
Tel: 0117 952 9977
Fax: 0117 952 9988
email:info@swscreen.co.uk
Website:South West Screen
West Midlands
Screen West Midlands
9 Regent Place
Birmingham
B1 3NJ
Tel: 0121 265 7120
Fax: 0121 265 7180
email: info@screenwm.co.uk
Website:Screen West Midlands
Yorkshire and the Humber
Screen Yorkshire
46 The Calls
Leeds
LS1 7EY
Tel: 0113 294 4410
Fax: 0113 294 4989
email: info@ymtc.co.uk
Website:Screen Yorkshire
Life is good as a pro screenwriter October 8, 2007
Posted by James D Hartland in Career, LA Features, NFM, Screen Agency.add a comment
I talked about how getting on the LA Features scheme made me feel validated for the first time that I might actually professional screenwriter rather than a hack (although the two are not mutually exclusive!). Well I just got an email today that went further to cement that, while also just generally making me feel kick ass.
From the ever helpful Helen at Northern Film and Media…
Firstly well done to all of you for getting on the scheme. It’s the biggest and most ambitious writers scheme we’ve done at Northern Film and Media and we’re very hopeful it will bring some great rewards.
We have invested a very large proportion of our writers budget for this year in the scheme, and as with all our funding, we hope where possible to recoup a proportion to help us keep doing more projects of this nature. The letter coming out to you all outlines what we have put in place in terms of recoupment for this scheme. I hope you will all agree it is fair and looks to recoup nothing more than we have already invested in the scheme – so if any of you do make it rich, we’ll not be giving up the day job!
The contract states that should you receive income from this project you will pay Northern Film and Media 10% of such income up to a total amount of £10k.
If anyone would like to discuss this please do give me a call.
This is kick ass for 3 reasons -
1. This is the most ambitious scheme they have ever run, and guess who was picked for it? Me!
2. They are investing a huge chunk of their screenwriting money on this scheme, which again makes me feel good, especially if other writers now can’t get any support because NFM spent all their money on me. Muhahaha …
Just joking….
Or am I?
3. Most importantly… they hope to one day be able to take 10% of a pay check. And if anything is going to make you feel validated as a professional it’s 3rd parties negotiating a percentage of the money!
I’m not letting it all get to my head, but it does fill you with confidence. There’s a bajillion and one wannabes out there and to be considered a cut above the rest is a very nice feeling.
As for how I feel about the terms Helen, if I make it big in Hollywood then you are welcome to the 10% off this script! I have nothing but respect for the help that NFM has given me over the years, and frankly it scares me to imagine where my career would be if it wasn’t for the training and advice they offered me. Hell, every bit of work experience I’ve ever gotten has been off the back of NFM in some way.
But yeah… life is pretty good at the moment. The sun is shining, I’m eating Monster Munch, and I can actually call myself a pro writer…
LA Features September 29, 2007
Posted by James D Hartland in Career, LA Features, NFM, Romcom, Wendall Thomas.7 comments
Well this week I got the biggest piece of news I’ve had all year. After getting turned down for every scheme and course I’ve applied for in the last year I finally got the break through I wanted. I got a place on NFM’s LA Features scheme!
Which essentially means that for the next year I will be getting mentoring and script notes from Wendall Thomas (UCLA, Screenwriting Expo), and then after that there’s a possibility of an expenses paid trip to LA to meet agents. Yup, this time next year I might be jetting off to LA to meet agents in Hollywood! Pretty sweet huh?
The application process for this scheme was documented in my blog a few weeks back so I am glad to say that all that worrying seemed to be over nothing, since not only have I gotten onto this scheme but Wendall has been very complimentary about my first draft.
It’s been great to be validated like this by having someone who knows their shit tell you that you have some talent and you might go far. Quite simply, for the first time ever I feel like I am a proper professional screenwriter and not just someone who gets away with pretending that he might be.
But lets not kid ourselves here. For me to make the most of this scheme and any possible trip to LA will take a whole bunch of hard work and blood, sweat and tears; so in a way getting on this scheme is only the beginning. Now I’ve gotta really up my game and make sure I meet the demands of the LA crowd, because they aren’t going to be as forgiving as the people here in the UK.
But fingers crossed those multi-million script deals and Oscars aren’t far off now
Hollywood 3 Act Structure September 28, 2007
Posted by James D Hartland in Events, Moan, NFM, Screen Agency, Theory, Wendall Thomas.1 comment so far
This past week I attended yet another set of lectures by Wendall Thomas from UCLA. She seems to be Northern Film and Media’s favourite script guru at the moment.
I would always attend these events regardless because you never know what you might learn, and since they are free thanks to Northern Film and Media you would have to be a fool to turn the opportunity down. Why pay through the nose for expensive courses when you can get great education free from your local screen agency?
That said though I did go into this event feeling a bit “hmmm”, since 3 Act structure is something I would consider myself as knowing like the back of my hand. I was especially apprehensive about the second day given that the entire day would be spent going over Fatal Attraction scene by scene, and well, if you already know 3 act structure that sounds like a terrible bore.
But I am glad to say that the two days were really informative and I learnt at least 3 things that have made me think differently about the way I approach structure in feature films.
Which kinda goes along with what I have been saying all along. Even if you think you know all there is to know about these things, simply hearing the same theory from a fresh perspective or with a slight spin on the emphasis can make all the difference.
The more I see of Wendall’s ideas the more I come to really appreciate her as a good teacher.
Now onto the moan. It wouldn’t be one of my blogs if I didn’t moan about something.
The problem with these lectures is you always get at least 1 or usually 4 or 5 people who feel they should be able to put their hand up very other minute and offer the group their opinion on something.
There’s nothing wrong per say with people offering a point that the lecturer hasn’t mentioned, but the way these guys do it comes across as some tragic attempt at boosting their egos. I mean, do they really think that if they don’t say whatever it is on their mind everyone else in the room will go home having missed some super valuable input? Its more about them and how they wanna come across than actually offering anything of interest to anyone else in the audience.
And it’s not like I’m just being a moaner here. I think just about everyone come break time was complaining about these annoying people. I certainly didn’t have to get the ball rolling in the conversations I was privy to.
But just think, you might be paying through the nose to get annoyed by these people! God bless the UK Film Council throwing money at screenwriting training.
Stinger Screening June 28, 2007
Posted by James D Hartland in Digital Shorts, Directing, Events, NFM, Screen Agency, Short Film, Stingers, The Badass, UK Film Council, UK Film/TV industry, Writing Samples.add a comment
The other day I attended the premier of this years Stinger films. Notable for one of the films being mine! In fact not only did I write it but I also directed it.
(Stinger = Northern Film and Media’s name for their local branch of the nationwide UK Film Council funded Digital Shorts scheme. Northern Film and Media being the North East’s local Screen Agency.)
For those people reading this blog in the UK who have aspirations of becoming a professional in TV or Film then getting in touch with your local Screen Agency and finding out about schemes like the Stingers is essential. Screen Agencies are wonderful resources. They can offer all sorts of free training, job opportunities, funding, career advice, and much much more. Go contact them!
Anyways, so it was the premier of my film; The Badass.
The event was held at the Gate cinema in Newcastle, which was a pretty typical cinema, although the screen did seem huge when I walked into the room, knowing that soon enough my little HDV short film would be shown on it.
15 Short films had been commissioned this year as part of the Stinger scheme, some with 3k budgets and some with 10k budgets; and all these films were shown back to back. (Badass was a 3k film).
As with previous years, some films were good, and some were bad. I’d like to think my film was somewhere nearer the good side! People did come up to me afterwards and said they enjoyed my film but I’m generally cynical of such statements because I don’t believe anyone would tell me it stank if that’s what they thought.
Truth be told I wrote the Badass 2 years ago and I wouldn’t say is representative of what I am capable of writing these days (You can check the script out on my writing samples page), so if it did stink… well I am better now!
I’d also be the first person to hold my hands up and say I am not the words greatest director. In fact, off the back of doing this film I basically decided that rather than be a screenwriter with aspirations to also maybe direct, I am now comfortable to be a screenwriter and nothing more.
I think everyone starts off wanting to direct, and the sooner you can realise what it is you actually are actually going to do in the industry then the sooner you can start learning your craft and making a living from the industry. This is an interesting topic in and of itself, so I will perhaps come back to it in another blog. But now back to the screening —
The screening was notable perhaps most of all for one thing. They showed all the films in 4:3 aspect ratio. Which for you none techie people means they showed films in old fashioned square vision rather than widescreen, despite the fact all these films had been shot in widescreen. Just about every one I spoke to afterwards was annoyed that all their hard work had been diminished by a lousy projection. People also seemed to comment on the picture being way darker than it should have been, something I kinda picked up on during my film but not to the point that it made me think the look of my film had been ruined.
After the screening all the writers, directors and producers hung around and got their pictures taken. I squinted every single time the flash went off so I hope I don’t look like an idiot in the pictures. I’m a short arse so I was at the front of all the pictures, so any idiot faces being pulled will be easy to spot.
After that there was a party in a nearby bar. No free booze was provided, nor was there any free food which upset my parents who were very hungry. I wasn’t expected to be fed so it was OK. I’d rather they spent the money on films than on sausage rolls.
If I can moan about one thing of the party it would be to say that the music was way too loud. In what was basically a forum for people to network and catch up and generally discuss stuff, having to shout in each others ears to be heard was somewhat frustrating. I attended last years party in a different bar and while it was loud I certainly don’t remember having to shout over music to be heard. I’m not really an out going party person anyways, I’m a writer for christs sake!! So for me having to shout to be heard is more than just an annoyance, its a hindrance to actually talking to anyone.
If anyone at NFM ever reads this blog then please note… no loud music at these things in the future!!
That about wraps up my thoughts on the night. I cant really go into which films I liked and which I didn’t because I might offend people with my comments, or just offend them by having really lousy taste in films!
Here are some stills from the Badass for your viewing pleasure. These are just DVD dumps so it will look way better in its native format.
Also… the picture at the top of the blog… that’s not a still from the film its a photoshop job by a friend
Writing for Television April 29, 2007
Posted by James D Hartland in Alan Plater, Debbie Horsfield, Events, John Yorke, Michael Chaplin, NFM, TV, UK Film/TV industry.1 comment so far
“Writing for Television” was a seminar I attended in Newcastle yesterday featuring John Yorke (Controller of BBC Drama), Alan Plater (Z Cars, and everything else since), Debbie Horsfield (Cutting It), and Michael Chaplin (Grafters, Monarch of the Glen).
I would like to say that it was a great seminar and that I hope they do it again, but frankly it was a bit poo, and beyond that it was also a a bit of a swindle for anyone who paid (I got a free place courtesy of NFM)
The problem was essentially that there was no structure to the talks. It wasn’t like they spent an hour talking about how commissioning works, then an hour talking about something else; instead it was essentially that each writer got up and waffled on about their career for an hour. This was entertaining enough at times (especially in the case of Alan Plater, the guy pictured) but as an exercise in actually learning anything useful it was a waste of time. Each person’s talk soon descended into a simple list of “then after X I wrote Y, then after Y I wrote Z” and that is frankly no use to anyone. I was bored at several times during the day, and I don’t think I should have been.
I think back to the Northern Screenwriter Conference I attended a while ago and the format of that day was so much more informative, and much more interesting as a result. They had blocks of time assigned to a certain topic and got two or three writers to talk about that one topic.
With only 4 guest speakers on hand this Writing for TV wouldn’t have been able to replicate that exact same format but some kind of structure would have been a godsend. Why for example didn’t they get Alan Plater to give a talk about how TV has changed over the past 40 years? Of course he touched upon that stuff quite a bit during his 60 minute talk, but had they given him this as a specific title for his lecture and that was his specific topic to stick to then his talk would have been far more informative. The same goes for the other speakers, they should have been selected because they could give a specific 60 minute talk on a specific single aspect of writing for TV. General waffles just don’t cut it with me.
THE SWINDLE
At the start I mentioned that this day was not only poo but it was a swindle, and here’s why.
The day before this Writing for Television seminar (which cost £20), John Yorke, controller of BBC drama, also gave a public lecture, also organised by the University of Newcastle. That lecture was free to attend and from what I gathered via the grapevine, that talk was very informative and covered everything you might want to know about getting a career in Television Writing and all the trials and tribulations that come once you get work. Where as come the following day which cost you £20, he was up on stage no longer than 15 minutes and said something like “Well I don’t want to repeat what I said yesterday so I’ll keep this very brief.”
Excuse me?? People pay £20 to come to a seminar where John Yorke is billed as the main attraction, but he doesn’t want to say anything because it would be a repeat of what people could have listened to for free the day before?
I felt cheated by this. Everyone else spoke for an hour, but the headlining guest speaks for 10 minutes. Great
Surely they needed to put the big headline lecture on the day people are paying? Surely?
The event ran from 10 till 4, so I see no reason why they couldn’t have made it go on until 5 or 6 and given John Yorke the opportunity to do that long, informative lecture on the same day they expect you to stump up £20. Why was it even spread over two days?
THE “FOOD”
Just to sound like a complete moaner – The food was also terrible. Though in fairness, it was in keeping with the food at almost every media event I’ve been to. Which is to say that its all novelty posh food rather than proper normal stuff. Good luck trying to find a regular cheese and ham sandwich at one of these events. They have 101 different fancy looking sandwiches with all these different slime based fillings (never labelled so its pot luck what you end up with unless you’re a novelty sandwich expert), but did they have regular sandwiches that people eat at home or buy for their lunch? Not a chance. Hell, even the crisps they had were all novelty flavours (or at least my handful was!).
CONCLUSION
All in all I felt I wouldn’t have really missed much by skipping this event. Which is a shame, because bringing such experienced writers into the region to give a talk like that is a wonderful opportunity for other writers in the region to learn something. Sadly the lack of any structure to the talks meant that learning anything useful wasn’t on the agenda.
The Badass March 1, 2007
Posted by James D Hartland in Close Encounters, NFM, Short Film, Stingers, The Badass, UK Film Council, Writing Samples.add a comment

